Thrillers
(eBook)

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Average Rating
Published
eBookIt.com, 2015.
ISBN
9781456622121
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

John Fraser., & John Fraser|AUTHOR. (2015). Thrillers . eBookIt.com.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

John Fraser and John Fraser|AUTHOR. 2015. Thrillers. eBookIt.com.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

John Fraser and John Fraser|AUTHOR. Thrillers eBookIt.com, 2015.

MLA Citation, 9th Edition (style guide)

John Fraser, and John Fraser|AUTHOR. Thrillers eBookIt.com, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDf1644d9f-0f4e-da93-bda9-e4e207d426ab-eng
Full titlethrillers
Authorfraser john
Grouping Categorybook
Last Update2024-05-15 02:01:03AM
Last Indexed2024-06-26 05:50:35AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 16, 2022
Last UsedJun 26, 2024

Hoopla Extract Information

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    [synopsis] => After years of intellectual nourishment from thrillers, along with the delights of suspense, Fraser explores the thought-processes of representative thriller characters coping with high-tension situations that require intelligent problem-solving and bring their values into a sharper focus. With alert empathy, he follows Jack Carter as he hunts down his brother's killers in Ted Lewis's masterpiece Jack's Return Home ("a kind of dark English Gatsby") ; suffers along with violence-averse Rae Ingram coping alone on a small yacht with a dangerous paranoid in Dead Calm ("a philosophical thriller") by that fine Gold Medal novelist Charles Williams; and gives a lot of attention to Donald Hamilton's young professional men entangled with enigmatic young women in pre-Helm works like The Steel Mirror (1948) where he was learning his craft. In a fourth chapter, he hacks at the wall between "art" and "entertainment" and loose talk about the "world" of the thriller. Lastly, he reminiscences about a fascinating safari that he made into the sex-'n-violence "Mushroom Jungle" (British pulp fiction ca. 1946-54), and offers conclusions about violence and peace. He avoids jargon, combines an aficionado's enthusiasm with a scholar's accuracy, quotes generously to convey the texture of a work, provides background information for readers new to the topic, and illuminates "craft" aspects of fiction in general. His emphasis throughout is positive.
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