Kreisler: Caprice viennois, Op. 2 (3:59)
Kreisler: Andantino - in the style of Martini (3:41)
Kreisler: Allegretto - in the style of Boccherini (3:17)
Kreisler: La Gitana (3:12)
Dvorák / Arr Kreisler: Slavonic Dance in A-Flat Major, Op. 72, No. 8 (5:26)
Kreisler: Chanson Louis XIII and Pavane - in the style of Dittersdorf (4:06)
Kreisler: Schön Rosmarin (1:57)
Kreisler: Liebesfreud (3:17)
La vida breve: Danza española No. 1 (Arr. Kreisler for Violin and Piano) (3:24)
Kreisler: Liebesleid (3:25)
Kreisler: Recitative and scherzo-caprice, Op. 6 (4:03)
España, Op. 165: No. 2, Tango (Arr. Kreisler for Violin and Piano) (2:32)
Kreisler: Rondino on a Theme by Beethoven (2:42)
Kreisler: Tambourin Chinois, Op. 3 (3:35)
Tartini: The Devil's Trill (14:40)
Poldini: Dancing Doll (2:44)
Wieniawski: Caprice in A Minor (1:33)
Trad: Londonderry Air (4:33)
Mozart: Rondo from Haffner Serenade (7:00)
Corelli / Arr Kreisler: Sarabande & Allegretto (4:00)
Albéniz / Arr Kreiskler: España, Op. 165: No. 3 Malagueña (4:20)
Kreisler: Midnight Bells (after Im Chambre séparée from Heuberger's 'Der Opernball') (3:42)
Brahms / Arr. Kreisler for Violin and Piano: 21 Hungarian Dances, WoO 1: No. 17 in F-Sharp Minor (3:56)
Mendelssohn: Song without Words, Op. 62: No. 1 May Breezes (3:16)
Kreisler: La Precieuse - in the style of Couperin (2:44)
Kreisler: Sicilienne & Rigaudon - in the style of Francoeur (5:09)
Chaminade / Arr Kreisler: Sérénade espagnole (2:13)
Kreisler: Aubade Provençale (2:32)
Kreisler: Menuet - in the Style of Porpora (4:02)
Lehár: Frasquita: Serenade ("Hab' ein blaues Himmelbett") (2:33)
Paderewski: Melody, Op. 16, No. 2 (3:15)
Kreisler: Toy Soldiers' March (1:45)
Andante cantabile (After String Quartet No. 1, Op. 11) (5:12)
Souvenir de Hapsal, Op. 2: No. 3, Chanson sans paroles (2:56)
Kreisler: Scherzo - in the style of Dittersdorf (3:26)
Dvorák / Arr Kreisler: Slavonic Dance in E Minor, Op. 72, No. 2 (3:27)
Paganini: 24 Caprices, Op. 1: No. 20 in D Major (2:40)
Kreisler: Syncopation (2:03)
Grainger / Arr Kreisler: Molly on the shore, BFMS 19 (2:43)